The Faith of Graffiti: Documented by Mervyn Kurlansky and Jon Naar by Norman Mailer

Used and in good condition No Dust Jacket

Hardcover 113 Pages

Dimensions: 30 cm x 38 cm x 2 cm

The Faith of Graffiti is a 1974 essay by American novelist and journalist  about 's  artists. Mailer's essay appeared in a shorter form in  and as a book with 81 photographs by  and design by Mervyn Kurlansky. Through interviews, exploration, and analyses, the essay explored the political and artistic implications of graffiti. The essay was controversial at the time of publication because it attempts to validate graffiti as an art form by linking it with great artists of the past. Mailer, too, was criticized for using the essay as a platform for own political grievances. Faith grows out of Mailer's existential philosophy of the hip, in which a Hipster is guided by his instincts regardless of consequences or perception, and upholds graffiti as a subversive and healthy check on the status quo. Like several of his other non-fiction narratives, Mailer continues his use of : he adopts a persona, the A-I or "Aesthetic Investigator", to provide both an objective distance from the topic and to engender the text with the creative and critical eye of the novelist.